SATURDAY ASSOCIATES 2023/24

Audition: Saturday 10th June 2023

Audition Venue: BOA Academy (Birmingham)

Audition Times:

Group 1: 11:30am – 12:45pm

Group 2: 1:15pm – 2:15pm

Group 3: 2:30pm – 3:45pm

Group 4: 4pm – 5:15pm

Course Begins: Saturday 23rd September 2023

We are looking for boys and girls aged 7yrs-21yrs, who have a passion for ballet and a sound knowledge of classical technique.

Application deadline is Saturday 3rd June 2023. Late entrants may be accepted if places are still available, please email us if you wish to apply after this date.

Any student that is unable to attend the audition date should contact us and we will endeavour to make arrangements via video audition if possible.

Please note, all candidates must pay an audition fee of £30.00 prior to the audition taking place.

Have a question? Please email us at info@midlandtheatreballet.com and we will respond as quickly as possible

SATURDAY ASSOCIATES 2023/24

Audition: Saturday 10th June 2023

Audition Venue: BOA Academy (Birmingham)

Audition Times:

Group 1: 11:30am – 12:45pm

Group 2: 1:15pm – 2:15pm

Group 3: 2:30pm – 3:45pm

Group 4: 4pm – 5:15pm

Course Begins: Saturday 23rd September 2023

We are looking for boys and girls aged 7yrs-21yrs, who have a passion for ballet and a sound knowledge of classical technique.

Application deadline is Saturday 3rd June 2023. Late entrants may be accepted if places are still available, please email us if you wish to apply after this date.

Any student that is unable to attend the audition date should contact us and we will endeavour to make arrangements via video audition if possible.

Please note, all candidates must pay an audition fee of £30.00 prior to the audition taking place.

Have a question? Please email us at info@midlandtheatreballet.com and we will respond as quickly as possible

COURSE INFORMATION

What is MTB Associates?

Our Saturday Associates programme offers ballet and contemporary dance training for students aged 7-21yrs, who are seeking additional ballet training and have a passion to perform.

 

Our programme focusses on enhancing balletic technique, whilst also providing an environment for students to develop their musicality, artistic performance levels and confidence during repertoire and creative classes.

 

Throughout the course students will work with a diverse variety of teachers and choreographers, all of whom have worked, or are currently working, within renowned ballet and performing arts companies around the world.

 

The aim of our Saturday Associates course is to focus heavily on the foundations of classical ballet technique, with high attention to footwork, lines and posture, whilst ensuring that students have a strong knowledge of classical ballet terminology.

 

At the end of the programme, students will have the opportunity to demonstrate some of their learnings to family and friends in a small and intimate showcase, where students will perform ballet and contemporary repertoire.

Programme Outline

The 21-day programme, based in Birmingham, provides young aspiring dancers with the opportunity to develop their balletic and contemporary technique, to learn new dance vocabulary and to develop their performance, artistry and confidence.

 

Students will be challenged throughout the course in a safe and enjoyable environment, with teachers and choreographers who have worked, or are currently working, within renowned ballet and performing arts companies around the world.

 

Students will take part in 2.5 hours of training each week. The contents of each week will change throughout the course based on our curriculum. As a basic outline:

 

First Half of the Course:

  • Students will take part in a 1hr ballet class, focussing on classical ballet technique, strength and flexibility. This will be followed by a 30 minute repertoire class, where students will focus on artistry and performance by beginning to put their technique into practice by learning solos and corps de ballet repertoire. Students will also complete a 1hr contemporary class, where they will learn the basics of contemporary technique and focus on the release of the body.

 

Second Half of the Course:

  • The ballet class and ballet repertoire classes will now share the 1.5hrs, to allow students to continue to work on technical aspects whilst having additional time to work on artistry and performance development. The 1hr contemporary class will continue as before, with a shift in focus towards putting the technical training into practice by developing group repertoire.

 

Students will train for 20 sessions before taking part in a small and intimate showcase during the 21st session to family and friends.

2023/24 Programme: Changes

What is new about our 2023/24 programme?

  • This year we are introducing 2x internal assessments throughout the year, which will be conducted by the MTB Artistic Director, Imogen-Lily Ash. These assessments will be conducted in a very supportive and relaxed environment, in which students will be given individual corrections for them to focus on throughout the year.

 

  • Students will be provided with stretches and strength & conditioning exercises, which they will be expected to complete in their own time outside of classes throughout the course. This is designed to support dancers with their training.

 

  • The contemporary aspect of the programme is now compulsory for all students during the course, as we want students on our Saturday Associates programme to be equipped with the capabilities to adapt from classical ballet to contemporary, which allows dancers to express themselves and have more freedom in their movements.
Our Aim: Why Are We Different?

We are passionate about performance and strongly believe that dance education should consist of technical classes alongside repertoire and creative classes.

 

Not only will students focus on improving ballet technique, but every week they will take part in creative classes, within which students will learn to perform repertoire from renowned ballets as well as unique pieces created by the artistic teaching team.

 

As well as this, our core aim is to create an environment in which students can learn from a diverse teaching faculty from many different ballet and performing arts backgrounds. This enables students to broaden their outlook and gain a greater appreciation for the different interpretations and contributions that individual teachers and choreographers bring to the studio.

Contemporary Dance: why?

Contemporary allows dancer’s to challenge the brain and express themselves with more freedom in their movement. Contemporary requires a high level of focus and it is allows students to engage with a multitude of senses in order to understand the space around them and how their body moves through that space.

 

In today’s age, we believe that it is vital for students to be versatile and to be able to adapt from classical ballet to contemporary. Not only is this beneficial for their progress and development as a dancer, but the majority of vocational schools and ballet companies now include contemporary works – so studying this from an early age is greatly beneficial.

Will There Be A Performance?

At the end of the course dancers will have the opportunity to demonstrate their learnings in a showcase in front of parents and guardians. During this showcase, students will perform ballet and contemporary repertoire.

 

Please note, this showcase is not open to the public and will be smaller and more intimate compared to the MTB Sunday Performance Programme.

Age Groups

There will be 4 groups, students will be allocated to groups which will be determined based on a combination of age and ability:

 

Juniors (approx. ages 7-9yrs)

Mids (approx. ages 9-12yrs)

Inters (approx. ages 12-14yrs)

Seniors (approx. ages 14+yrs)

Course Dates

The course will take place on the following Saturdays:

 

Audition Date: 10th June 2023

 

2023

September: 23rd

October: 7th, 21st

November: 11th, 25th

December: 2nd, 9th

 

2024

January: 6th, 20th

February: 3rd, 10th

March: 2nd, 16th

April: 13th, 27th

May: 11th

June: 7th, 15th, 22nd, 29th, 30th (Sunday – showcase)

Course Timings

Please note, timings and groupings are subject to change before the course starts.

 

All students must take part in both the ballet and contemporary aspects of the course.

 

Juniors (ages 7-9yrs): 10am – 12:30pm

Mids (ages 9-12yrs): 10:30am – 1:00pm

Inters (ages 12-14yrs): 12:30pm – 3:00pm

Seniors (ages 14+yrs): 2:00pm – 4:30pm

Course Fees

Course Fees: £795.

 

On accepting a place, a deposit of £100 is required, which will also act as the first payment.

 

The remaining balance may be paid up front or in 8x monthly instalments.

 

All fees are non-refundable.

Uniform

When accepted onto the course, students will be sent a link to purchase the MTB Saturday Associates leotard, which they will need to wear throughout the course.

 

Additional optional uniform is also available to purchase via our online shop.

Audition Information

Candidates will register in the reception area of BOA Academy. Once registered, we kindly ask that all parents leave the site once children have safely entered the audition. After the audition, students will be brought to the reception area for collection.

 

Exact timings will be sent across via email once you have submitted your application form. As part of the audition process, candidates will take part in a relaxed and enjoyable ballet class, which will last for approximately 1hr 15 mins.

 

For the audition, we recommend that dancers arrive with their ballet uniform underneath their clothes, with their hair tied back off the face and with personal presentation in place as there will be no changing facilities available on the day.

 

Students will be informed of the audition result within 4 weeks after the audition has taken place.

 

Unfortunately it is not possible for us to accept every candidate onto the course after the audition process as we aim to keep our group sizes at a level that ensures we offer high quality training and attention to students throughout the course.

2023/24 teachers will be released soon!

ASSOCIATES TEACHERS 2022/23

Imogen-Lily Ash

Course Director
Immie's Bio

Imogen-Lily began her training at Elmhurst Ballet School, before continuing her training at Central School of Ballet, where she graduated with a First-Class BA Hons in 2018. During her time at CSB, she completed a UK tour and was fortunate enough to perform works including Matthew Bourne’s ‘Sleeping Beauty’ and Sir Christopher Gable’s ‘Cinderella’.

 

Immie has previously toured with Birmingham Royal Ballet in the production of ‘Sylvia’ and has also performed as Meg Giry in ‘The Phantom of The Opera’ in Copenhagen. Alongside her work at MTB, Immie currently performs around the world as Clara in ‘The Nutcracker and I’ with Alexandra Dariescu.

 

As a former MTB student herself, Immie is delighted to return to the company as a Director with an enormous passion for helping young dancers to experience this fantastic opportunity that gave her the spark at the start of her ballet journey all those years ago!

Yvette Knight

Ballet Teacher
Yvette's Bio

Yvette’s training began at The Royal Ballet School (White Lodge and Upper School) before joining Birmingham Royal Ballet as an Artist in 2007. In 2012 Yvette was promoted to first artist and in 2015 she became soloist before being promoted to First Soloist in 2018.

 

Yvette has toured with Birmingham Royal Ballet nationally and internationally. Some of her repertoire includes the Sugar Plum Fairy in The Nutcracker, Aurora in Sleeping Beauty, Belle in Beauty and The Beast and Big Swans in Swan Lake.

 

Yvette’s interests expand beyond performing and as well sharing her expertise through teaching, she also works with the wonderful Freefall Dance Company at Birmingham Royal Ballet.

Natasha Chu

Contemporary Teacher
Natasha's Bio

After graduating from Central School of Ballet in 2018, Tash danced on tour with Matthew Bourne’s New Adventures (Romeo & Juliet), Ballet Cymru (Giselle) and performed at Glyndebourne Festival Opera (The Wreckers). She has also worked as a freelancer with various choreographers.

 

In 2020, she returned to CSB to complete her Masters in Choreography. She created a short dance film for Adventures in Filmwith New Adventures and her work has featured in various collaborations, on digital platforms and on stage. Most recently, she has been movement directing on Welsh National Opera youth company.

Anna Ciriano

Ballet Teacher
Anna's Bio

Anna was born in Barcelona and began dancing from the age of 3 in ‘Agueda Murillo’s Ballet School’ in her home town. At the age of 13 she joined her first vocational school in Barcelona, ‘Institut de Teatre’, where she trained up until the age of 16.

 

In 2014 she joined English National Ballet School and graduated in 2017. From then she has worked with various companies such as Orlando Ballet, Birmingham Royal Ballet and English National Ballet, where she is currently dancing.

Joshua Ecob

Ballet Teacher
Joshua's Bio

Born in Nottinghamshire, Joshua started his training at KSDance. Upon graduating in 2010 he danced for the Serbian National Ballet and Bosnian National Ballet before returning to the UK and joining London Contemporary Ballet Theatre.

 

Having completed his studies at The Royal Ballet School on their Diploma of Dance Teaching, Joshua is now a teacher at the Rambert School in London. He continues to work extensively as a guest teacher and private coach, both across the UK and internationally.

 

Since his return to the UK, Joshua has taught and choreographed for Midland Theatre Ballet, South West Theatre Ballet, and Belfast Theatre Ballet as well as other summer schools and ballet programs nation wide.

 

As a private coach Joshua works closely with students to refine their technique, preparing them for school entrance auditions, assessments and professional auditions. Students of Joshua’s have gone on to study at schools such as the Royal Ballet School, the Bolshoi Ballet School, Ellison Ballet School, English National Ballet School, Elmhurst Ballet School, Central School of Ballet and Tring Park.

Gabrielle De Souza

Contemporary & Ballet Teacher
Gabrielle's Bio

Gabrielle trained at Elmhurst Ballet School and Rambert School of Ballet and Contemporary Dance. She has performed with Matthew Bourne’s New Adventures in The Car Man at the Royal Albert Hall, and toured with Nutcracker! in the UK. She was involved in the R&D process and performances for No Time Like The Present by Tala Lee Turton Productions, and worked with CTC Dance Company during the R&D process for Wonderland in Alice. Gabrielle has also taught ballet at The International College of Musical Theatre.

Shannon Parker

Ballet Teacher
Shannon's Bio

Shannon was a principal dancer with San Francisco Ballet, Northern Ballet Theatre and Theatre Ballet Du Rhin. She has danced all major roles extending from full length Classical, Neo Classical and Contemporary works from Balanchine, Forsythe, Bintley, Christensen, Taylor and Bruce.

 

Shannon was a runner up on Sky 1’ HD’s ‘Got To Dance’ in 2013, being the only classical act to reach that stage. As well as this, Shannon was a finalist and the judge’s Wild Card on Britain’s Got Talent in 2016, again being the only classical act to reach that stage.

 

At present, Shannon is currently performing with Chantry Dance Company and performing for corporate events and festivals around the world, whilst teaching and choreographing for various school companies.

Zoe Chambers

Contemporary Teacher
Zoe's Bio

Zoe began her contemporary training on the Dance4 CAT training programme, learning from well renowned artists across the country. She then continued her training at the University of Central Lancashire, gaining a first-class degree in Dance Performance and Teaching. 

 

Since graduating, Zoe has predominantly worked in the contemporary dance sector. Within her work, Zoe has choreographed, performed and taught for companies such as FABRIC, Ludus Dance, Curve Theatre and Studio79.

 

The majority of Zoe’s work is now focused on working with young people to create innovative contemporary dance work. Within her teaching work, Zoe continues to support young dancers to go on to schools such as Laban, Northern School of Contemporary Dance and The Place. A huge part of Zoe’s work is based on improvisation and the importance of having ownership over your own movement.

info@midlandtheatreballet.com

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